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Bhagavad Gita Chapter 2 Collection

First Principle

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Is Integrated Listening

Authored by

THE SPH NITHYANANDA PARAMASHIVAM

Krishna and peacock feather illustration
illustration

सञ्जय उवाच |
तं तथा कृपयाविष्टमश्रुपूर्णाकुलेक्षणम् |
विषीदन्तमिदं वाक्यमुवाच मधुसूदनः
॥ २-१ ॥

sañjaya uvācha
taṁ tathā kṛipayāviṣhṭama
śhrupūrṇākulekṣhaṇam
viṣhīdantamidaṁ vākyam uvācha
madhusūdanaḥ
॥ २-१ ॥

Sañjaya said:
As Arjuna’s eyes overflowed with
tears of pity and despair,
Madhusudana (Kṛṣṇa) spoke to
him thus

POWERFUL COGNITION

The first principle is Integrated Listening - first allow someone to speak fully

Nithyananda emblem

2.2

श्रीभगवानुवाच ।
कुतस्त्वा कश्मलमिदं विषमे समुपस्थितम् ।
अनार्यजुष्टमस्वर्ग्यमकीर्तिकरमर्जुन
॥ २-२॥

śrībhagavānuvāca kutastvā
kaśmalamidaṁ viṣame
samupasthitam anārya-juṣṭam
asvargyam akīrti-karam arjuna

Bhagavān Kṛṣṇa says: Where
from has this impurity,
dejection descended on you at
this critical time, Arjuna! You
behave unlike a noble man and
this will keep you away from
realization

Krishna silhouette

POWERFUL COGNITION

Lead yourself toward your Realization

Portrait

क्लैब्यं मा स्म गमः पार्थ नैतत्त्वय्युपपद्यते ।
क्षुद्रं हृदयदौर्बल्यं त्यक्त्वोत्तिष्ठ परन्तप
॥ २-३ ॥

klaibyaṁ mā sma gamaḥ
pārtha naitat tvayyupapadyate
kṣhudraṁ hṛidaya-daurbalyaṁ
tyaktvottiṣhṭha parantapa

Do not yield to fear, Pārtha! It
does not befit you Drop this
powerlessness of heart and
stand up O Parantapa,
destroyer of enemy

POWERFUL COGNITION

Life always demands your expansion, because expansion is the natural law of life.

Portrait
Portrait

INTRODUCTION

In Vedānta, the first principle is Śravaṇa—Integrated Listening; the second principle is Manana— Intranalyzing, meaning analyzing the truth for the sake of internalizing it not for rejecting it; and the third principle is Nididhyāsana—Living and radiating the truth!

Right listening means allowing the words to enter your inner space automatically; letting them cognize, without you constantly interfering with your incompletions, is Listening.

Peacock feather
Nithyananda small icon

Arjuna was distraught with pity and despair. His pity was for his opposition that consisted of his svajanam, kinsmen, elders, teachers, relatives and friends. He despaired at the thought of what would happen if he did have to kill them. Kṛṣṇa listened to him carefully, completely.

Kṛṣṇa wanted to give Arjuna time to open his mind, heart and being to Him, Arjuna's friend, guide and master, so that His answers would penetrate Arjuna's very being. Kṛṣṇa asks Arjuna directly, 'How did such impurities, such incompletions come upon you? They are not for a man like you. They will not lead you to higher planes but only defame you.' Kṛṣṇa addresses Arjuna's deep fear and powerlessness straightaway without any philosophy, and asks him to give up his foolish weakness and get up and fight—tyaktvottiṣṭha parantapa. He does not offer any consolation, just a straightforward scolding to awaken him!

Kṛṣṇa

KRISHNA HITS ARJUNA'S ROOT PATTERN

Arjuna's root thought pattern originates from fear and worry. His maṇipūraka cakra (navel center) and svādiṣṭhāna cakra (being center), energy centers that get locked due to worry and fear, are now completely locked! Because of his fear pattern, he has deep seated incompletions, stress and worry.

Arjuna is confronted with all the four fears: fear that he may lose whatever he possesses, that he may be maimed in the war, that he may lose his near and dear ones, and fourth, that he may lose his very life. These fears have in turn led to his powerlessness of heart. Understand, all your fears, all your anxieties, all your patterns are directed only in one line—fear of your possibilities

Krishna illustration

Listen! Your bigness
frightens you. You always
believe that you are
suffocated by your
smallness. NO! You are
suffocated by your bigness!

Whenever bigness is
demanded of you,
whenever you feel you are
being 'forced' to expand,
you shrink even further
into your comfort zone.
Arjuna's tiredness, his
weakness, his
powerlessness all these are
nothing but the resistance
he has to seeing his own
bigness!

Krishna playing flute against a starry night sky and snowy mountain landscape

Listen! The more you engage with life, the greater the expansion that will be demanded of you. Whenever you are feeling weak, tired, and powerless, the first thing you should do is this: immediately take on ten responsibilities and commit to fulfill them within an impossibly short time! Shake your inner space so powerfully with that commitment that there will be no way for weakness and tiredness to grow inside you.

Continuously human beings resist expansion. Incarnations happen on the planet to remind human beings about their possibilities, to expand human consciousness.

Portrait

KRISHNA IS GOD AND SO ARE YOU!

The constant, repetitive
reference to Bhagavān in the
Gītā is to emphasize this point
that Kṛṣṇa is not just the mere
charioteer of Arjuna,
Pārthasārathi, or Keśava,
destroyer of the demon Keśin
or Madhusūdana, destroyer of
the demon Madhu, but that He
is Parabrahma Kṛṣṇa, the
Supreme Energy, who is
formless and nameless. This is
also to reinforce the satya, truth
that you too, like Arjuna, are
God and no less.

Portrait of young Sri Nithyananda Paramashivam
Portrait

GOALS:

Helping each child realize the
power of listening. Helping each
child understand that life is all
about embracing expansion.
Helping each child go beyond
fear and worry. Helping each
child reconnect to one's own
divinity.

Illustration of Krishna

ASSESSMENTS

❖ What is right listening?

❖ What are the 3 principles in Vedānta?

❖ What had Kṛṣṇa wanted to give Arjuna?

❖ What locks the Svādiṣṭhāna Chakra?

❖ What locks the Maṇipūraka Chakra?

❖ What do all our fears come down to?

❖ What suffocates you?

❖ 8.What happens when we engage with life?

❖ What is the message that Kṛṣṇa shares throughout the Gītā?

❖ Who is God?

Portrait of Sri Nithyananda Paramashivam dressed as Krishna

ART OF THE DAY

portrait

ART OF THE DAY:

COLLAGE OF THE MANIPURAKA CHAKRA

MATERIALS NEEDED:

  1. Maṇipūraka Chakra picture
  1. Chart paper
  1. Variety of shapes of colored paper
  1. Glue
Manipūraka Chakra symbol

PROCEDURE

Encourage the children to create their own collage with the paper shapes, to represent the Maṇipūraka Chakra.

INFERENCE

All our worries are nothing but a collection of words in the languages that we know and they cause so much confusion and misinterpretation in us.

Conclusion: Bringing awareness to the Maṇipūraka Chakra to embrace life and expand

Portrait of young Dakshinamurti / Nithyananda

ACTIVITY OF

THE DAY

Portrait

ACTIVITY OF THE DAY:

LEADING THE BLIND

MATERIALS NEEDED:

  1. A rope
  1. Blindfolds

PROCEDURE:

The children will make a team.
Only one member will be the leader and
is shown an obstacle course and the
manner in which it has to be approached.
All members of the team are then
blindfolded. The team members are
roped together with the leader
taking the team through the course.

INFERENCE:

To get the team through,
communication and
organizational skills are
essential.

CONCLUSION:

Leadership requires good listening

Children roped together in an activity
Sri Nithyananda Paramashivam playing the flute

WORKSHOP OF

THE DAY

Portrait of Sri Nithyananda Paramashivam with colorful handprint motifs

WORKSHOP OF THE DAY:

VAAKYARTHA SADHAS

Vidhya is identifying the thought currents in which you are stuck and reinventing yourself from it. Discuss a situation where you are stuck and reinventing yourself. Pen down all the situations in your life that you are stuck in due to fear of making a mistake. Write down the thought currents in which you are stuck and need to reinvent. Complete with all those thought currents and write down how you are going to take responsibility for it and get into action.

NOTE Those children who cannot write can draw the incidents or an adult can help them to pen down the incidents.

CONCLUSION: Responsibility evolves you into a new being. Conclude by reiterating the importance about taking responsibility for the whole Cosmos

Cover Illustration

- BHAGAVAD GITA -

BOOK II, VOLUME III